Early 19th Century Japanese Screen. Kudzu Vine by Sakai Hoitsu.




Sakai Hoitsu (1761-1828)

Early 19th Century, Japan, Edo period.

Two-panel Japanese screen, ink, color and gold leaf on paper.

Signed: Oson Hoitsu Mamboku

Seal: Hoitsu

Dimensions: H. 53” x W. 67” (135cm x 170cm)

Price: USD 145,000

Hoitsu had a clear affinity with the subject of vines and they feature in some of his more famous works, including the Important Cultural Properties ‘Summer and Autumn Grasses’ and ‘Autumn Grasses and Moon’. Hoitsu found particular beauty in the momentary or ephemeral, being able to take the everyday, such as the kudzu vine, and imbue it with a distinctive poetic sensitivity. His works subtly allude to shades of seasonal change and mood. He transformed Rinpa into a naturalistic approach suited to the highly urbane tastes of 19th century Edo where society pursued intellectual sophistication and material sumptuousness. 

Sakai Hoitsu had a privileged upbringing which provided him the opportunity to study Noh drama, haiku poetry, tea-ceremony, music and painting. As was common during the Edo period, Hoitsu began his study of painting with the officially sanctioned Kano school later receiving influence from and instruction in the contemporary Ukiyo-e, Maruyama-Shijo and Nagasaki styles. Taking tonsure as a monk in 1797 Hoitsu freed himself of his significant familial obligations and immersed himself in the study of the life and art of Ogata Korin (1658-1716). His attraction to Korin was inspired by the fact that a century earlier Hoitsu’s family had been among Korin’s chief patrons, and numerous masterpieces by Korin were preserved in their collection. 

In 1815, 100 years after Korin’s death, Hoitsu published Korin Hyakuzu (One Hundred Paintings by Korin), woodblock print reproductions of paintings by the master. Besides honoring Korin in this way, he clearly traced the lineage of what would come to be known in a later age as the Rinpa school. Hoitsu, while taking Korin’s works as his model, went on to create highly affecting works reflective of the tastes of his day. 

In 1972 an exhibition entitled ‘Rinpa’ was held to celebrate the 100th anniversary of the Tokyo National Museum. 

Commenting on that exhibition the acclaimed scholar James Cahill states “The world of Rinpa is not far from our everyday life. It simply transforms the everydayness into a thoroughly beautiful image. Of all the arts in the world, if one were to cite a decorative style that transcends the ‘simply decorative’ limit, it would be Rinpa. The delicacy, boldness, and impressiveness of Rinpa is a perfect match for works of religious or humanistic content demonstrating highly refined artistry.”

In 2008 the Tokyo National Museum held an exhibition titled ‘Treasures by Rinpa Masters – Inheritance and Innovation’ in which many works by Hoitsu were featured. 

In 2011 to celebrate the 250th anniversary of Hoitsu’s birth a broad and scholarly exhibition titled ‘Sakai Hoitsu and Edo Rinpa’ was held at the Himeji City Museum of Art and the Chiba City Museum of Art.  

In 2012 the Japan Society held the exhibition ‘Silver Wind: the Arts of Sakai Hoitsu’ in New York. The exhibited works were sourced predominantly from American collections. 

In 2015 the Kyoto National Museum held the blockbuster exhibition ‘Rinpa – The Aesthetics of the Capital’. Works by Hoitsu formed a significant part of the exhibition.

Works by the artist can be found in the collections of: Asia Society, New York; Cleveland Museum of Art, Ohio; Etsuko and Joe Price Collection, USA; Feinberg Collection, USA; Hosomi Museum, Kyoto; Idemitsu Museum of Arts, Tokyo; Indianapolis Museum of Art, Indiana; Kyoto National Museum; Los Angeles County Museum of Art, California; Metropolitan Museum of Art, New York; Minneapolis Institute of Art, Minnesota; Mitsui Memorial Museum, Tokyo; MOA Museum of Art, Shizuoka; Museum of Fine Arts, Boston; Museum of Imperial Collections, Sannomaru Shozokan; Museum Yamato Bunkakan, Nara; National Gallery of Victoria, Australia; Nelson-Atkins Museum of Art, Missouri; New Orleans Museum of Art, Louisiana; Philadelphia Museum of Art, Pennsylvania; Seikado Bunko Art Museum, Tokyo; Smithsonian Museum of Art, Washington D.C.; Tokyo National Museum; Victoria and Albert Museum of Art, London; Worcester Art Museum, Massachusetts; Yamatane Museum of Art, Tokyo.